My Two-Cents on Writers’ Workshop

Writers’ Workshop (Wordshop)

“There is no better way to develop and enhance students’ writing skills than through the mindful use of writer’s workshop.”     – Me

Writers’ Workshop = an intentional environment for developing writing skills (the “word” version of a skate park, artist colony, or multiple-lift garage)

Key elements of a workshop

  • Known structure (students know what to do and where to do it)
  • Student choice (within parameters, students choose what to write)
  • Peer support (students edit each other’s work)

To develop a workshop (for grades 3+; adapt for lower grades)

Designate room areas and functions

Suggestion: Desk/main seating area of the room is for quiet, independent writing. Margins of the room are for collaboration, including discussing ideas and editing. Adult editing areas are at tables outside the main writing area.

Create a classroom process for writing

Suggestion:

  • Introduce type of writing (e.g. personal narrative, informational, argument)
  • Share examples (mentor texts, student samples)
  • Model writing
  • Students write
    • Plan
    • Create a draft (skip lines = easier edit)
    • Self-edit/ revise
    • Peer edit/revise
    • Adult edit/revise
    • Present/share

Note on adult editing: It will be helpful if you can arrange for additional adult editors. These could be educational assistants, administrators, or parents. In some instances, competent older students will work. Make sure to go over the process with all.

Devise a schedule

          Suggestion: Three days a week for an hour. Include in that time a mini-lesson (10-15 minutes to focus on skill development – e.g. quotation marks, leads, strong verbs), writing time (30-40 minutes), and presenting (10-15 minutes). If you don’t have an hour block, focus workshop times on writing; use the other two days for mini-lessons and sharing).

Prepare students

          Suggestion: Students should be proficient using dictionaries (for self and peer edits). Practice editing.

Special notes about editing: Teaching your students how to edit their own writing as well as the writing of others is one of the most important skills you will teach. Editing = helping. Editors help writers write better. Good editors do three things: Compliment, ask questions, and offer suggestions. Their comments are specific. Compliments come first.

Have writers first read their pieces aloud so editors can focus on the content of the writing. After that, have editors look at the writing to help with the other aspects (organizations, voice, word choice, sentence fluency, and conventions). Responses could be made on an editing page or on the original paper. Use editing marks for making convention suggestions.

Special considerations

  • Developing a functional workshop takes time. Start small (with short pieces like poems and letters/e-mails) and slowly (building over time), making sure students know the process and are comfortable working with each other.
  • Since the process is cyclical, make sure students know what their options are when they have completed a piece. That might be working on another piece of the same type of writing, or something you introduced previously. Use writers’ notebooks to cache ideas.
  • To help motivate students, include as much authentic writing as possible. Authentic writing (aka real-world writing) is writing that goes “beyond the eyes of the teacher.” It is writing meant to be read by others.
  • Every student has something to say. A writing workshop will help them develop the skills to say it.

Happy 130th Birthday A.C. Gilbert!

Educational toys – toys that encourage play and learning – are a mainstay in our stores today, but it wasn’t always that way. In the early 1900s, most children’s toys were mere playthings and were either homemade or imported from Europe. And then along came Alfred Carlton (A.C.) Gilbert.

Born in Salem on February 15, 1884, Gilbert grew to become an Olympic champion, professional magician, and a Yale-trained physician. But toys, especially toys that taught and engaged kids, were his true love.

Gilbert got his start in toys during his college years at Yale when he and a friend made and sold magic kits. When it became clear after graduation that sales of magic kits would not support his small but growing family, Gilbert came up with a new idea. Inspired by watching construction crews erecting towers while riding the train from New York City to Connecticut, he decided to make and sell construction kits.

The kits – which would become known as Erector Sets – were made up of metal girders with nuts and bolts to connect them.  Pictures of models to build accompanied the kits, but young builders were limited only by their imaginations.

Gilbert introduced his kits to the world in 1913 at the Toy Fair in New York City. The world loved them, and the A.C. Gilbert Company was well on its way to transform the toy industry: American-made toys, advertising directed at children, toys that encouraged thinking and doing.

Even when World War I came along, threatening to divert all manufacturing (even toys!) to the war effort, Gilbert was not deterred from engaging children in purposeful play. He simply traveled to Washington DC and persuaded The National Council of Defense to allow toymakers to continue manufacturing toys.

After that, Gilbert added more toys that encouraged thinking and learning: chemistry sets, telescopes, microscopes, and every type of science kit you might imagine, including the Atomic Energy Lab, complete with Geiger counter and radioactive particles!  The A.C. Gilbert Company became one of the most successful and well-known toymakers in America.

So, why don’t we hear of The A.C. Gilbert Company today?  The answer is simple. By the 1950s, America’s children were more interested in hula hoops and Silly Putty than construction sets and science kits. Gilbert retired in 1954, and turned the company over to his son. In 1961, Gilbert died.  Three years later, his son died unexpectedly.  By 1967, the A.C. Gilbert Company was bankrupt. The Erector name was eventually sold to the Meccano Company, a longtime competitor, and they continue to produce Erector construction kits of their own design today.

While the toys made by the A.C. Gilbert Company are limited mainly to collectors today, Gilbert’s legacy will live for all as long as there are manufacturers producing playthings that encourage children to think and learn.

 

Robert Young is an Oregon author of more than 25 books for children, including The Magic of A.C. Gilbert, a 32-page picture book biography. Books are available at the author’s website (www.realwriting.us) and at amazon.com.

Done With Nonfiction!

I’ve written about my distain for the term nonfiction over the years. I’ve complained about how ridiculous it is to name something based on what it is not. To make this point with the countless students I’ve met with during author visits, I tell them to imagine a world in which there is no such word as girls; females are called non-boys. And then, to quiet the boys’ laughter and cheers get too loud, I reverse it. No such word as boys; they are non-girls. The kids get it.

Making matters worse is the role that nonfiction plays in our lives. It’s the type of reading and writing we mostly do. Sure, we read fiction, but we also read newspapers, magazines, reports, and e-mails. And, when was the last time you wrote a short story? Fiction is an essential part of living, but so is nonfiction. And so it should be accorded a more appropriate and meaningful name.

I’ve thought about this for a long time. Years. I’ve researched it and talked to anyone who would listen about my concern. Not a single person—not one—has disagreed that nonfiction should be renamed. And so, having not found an alternative term, I’ve created one: faction.

It’s simple and clear, has real meaning, and doesn’t try to upstage fiction in any way (it even has the same number of letters). It’ll be easier to teach as well as remember since fact is at its foundation.

Now, all we have to do is use the word and share it with others. Talk to your friends and neighbors. Tell librarians. If you’re a teacher, let your students and your colleagues know that they never have to use that senseless term again.

Faction is in; nonfiction is out!

The Big Question – answer still true

Found this exchange I had nearly four years ago with my buddy, Barry Lane. I think the answer is still true.

Okay, I ‘m here with Barry Lane and I’m posing a question – a BIG QUESTION – what’s wrong with education today?

Barry: “Because teachers don’t own their classrooms, students can’t own their learning.”

Care to elaborate?

Barry: “Teachers are not merely dispensers of information; they build bridges into the minds of their students. If assessment and curriculum demands interfere with the bridge-building, test scores might improve but learning will take three steps backwards.”

What’s the most important things teachers can communicate to kids about writing?

Barry: “Writing is a tool for thinking, not just a tool for showing what you know.”

Finding Facts In Fiction

I love presenting workshops to teachers. They’re interested in learning, enthusiastic about new possibilities, and excited to share. I always come away with something new. Last week I met with Springfield (OR) teachers. We were exploring the topic of faction (nonfiction – more on this term soon). Here’s an interesting idea I heard from teacher Debbie Knapp.

Authors writing fiction need to do research to make sure the contextual parts of their books are accurate. Think Charlotte’s Web and the information about spiders that E.B. White included. Accuracy is especially important in historical fiction, where incorrect facts will spread misinformation as well as detract from the story (e.g. colonists using rifles, watching TV in the early 20th century, etc.).

The next time your students read historical fiction, invite them to challenge any facts used in the book. Have them research the facts to verify accuracy, share their findings with the class, and the author (if alive) if a mistake is found. Authors interested in portraying the truth will be grateful for the feedback.

Suggested books:
The Laura Ingalls Wilder books
Number the Stars (Lowry)
Sarah, Plain and Tall (MacLachlan)
Johnny Tremain (Forbes)
Roll of Thunder, Hear My Cry (Taylor)
Bud, Not Buddy (Curtis)
Sign of the Beaver (Speare)
Chains (Anderson)
The Whipping Boy (Fleischman)

Hurrah Pleasant Hill!

Do you know what makes a great Author Visit from the author’s viewpoint? It’s about planning and organizing and attending to details. It’s about teachers taking time from their busy schedules to prepare their students. It’s about students opening their minds and being willing to engage, participate, and especially ask questions. It takes an active principal and strong parent organization that understand the value of literacy.

I had a grand time meeting with the writers of Pleasant Hill Elementary School today. I am grateful for the organizational expertise of Jeannie Miller, and for the support she got from the Pleasant Hill PTO and the staff in making this event happen. Lots of people contributed, from setting up tables and chairs to assisting with computer-related matters to documenting the sessions by taking pictures (some of which appear below). Thanks to all of you. Thanks also to the 400+ students with whom I got I got to visit. I really appreciated your interest, your enthusiasm, and the courtesy you showed me and each other. I wish you the best with your writing.

If you would like to reflect on your experience, I hope you will add a comment below.

p.s. to 5th and sixth graders: We had lots of kids in the groups today, but it didn’t get boisterous (at least not too much). Despite the numbers of kids, the gym was capacious so we didn’t feel cramped. As you continue as writers, I am hopeful (and confident) you will avoid screed.

It's all about questions.

It’s all about questions.

Sometimes we get crabby about having our work edited.

Sometimes we get crabby about having our work edited.

Writing is a process with several steps.

Writing is a process with several steps.

An editing sandwich. What's  on the outside? Inside?

An editing sandwich. What’s on the outside? Inside?

More questions. Yes!!

More questions. Yes!!

The "magic" of mind-reading

The “magic” of mind-reading

Dictionaries = the most important books!

Dictionaries = the most important books!

Keep 'em closed

Keep ’em closed

Kindergarten bear artist

Kindergarten bear artist

Pleasant Hill P.S.

 

I love questions, so there will be a time for you to ask them. All questions are good, but some are better than others. See if you can think up questions that, finding out the answers, could help make you better writers. We’ll give those questions a high priority.

See you Thursday!

Pleasant Hill Challenge!

 

I’m looking forward to meeting with the writers of Pleasant Hill Elementary School this week. We will be talking about curiosity, questions, and, of course writing. The last time I visited, I issued a challenge to rename the term “nonfiction.” Lots of writers submitted, and we got many good ideas.

The challenge this visit will be different. Here it is: In 50 words or less, answer the question, “Why do you write?” Make your answer clear, creative, and compelling.

Post your answer below as a Comment. Make sure to add your first name and room number. I’ll be sharing some of your answers when I visit on Thursday.

See you soon!

Why do I write?

Why do I write?

Thinking of an Author Visit? Part 3

 

So, you’ve planned an author visit for your school, selected an author to make presentations, signed an agreement so it’s clear what the author will do and what the school will do. Now comes the fun part, the part where all the work becomes worthwhile: the visit itself. Here are a few tips for a successful author visit:

Before The Visit:

Make sure you have traded cell phone numbers with the author is case of emergencies or last minute details.

Familiarize students with the books written by the author.

Conduct book-related or general writing activities.

Assist students in preparing questions for the author.

Communicate high expectations for audience behavior and consequences for misbehavior.

Make sure all equipment needs, seating arrangements, and schedules have been taken care of.

During The Visit:

Model and encourage participation.

Address behavioral issues quickly and quietly.

Feel free to ask questions and make comments that will enhance your curriculum.

After The Visit:

Lead a discussion about information presented during the visit.

Have students communicate through drawing (cartoons, comics, pictures) or writing (journals, blogs, letters, poems, stories, news articles, thank-you cards) about something they learned.

Conduct book-related or general writing activities.

Encourage students to further explore any aspect of the presentation that interested them.

 

Have fun!

Author visit at the Lincoln School in Buenos Aires, Argentina

Author visit at the Lincoln School in Buenos Aires, Argentina

 

 

Thinking of an Author Visit? Part 2

 

Okay, you have asked and answered the questions about your end of having an author visit your school. Now it’s time to ask prospective authors questions. The obvious questions include cost, availability, number of presentations they’ll do, and what equipment they’ll need.

Here are some not-so-obvious questions:

“What will you do to help prepare our students for your visit?” This could include providing a listing of books, activities to go along with the books, suggested writing activities, and blog communications.

“How will you engage our students?” What’s appropriate for kindergartners won’t necessarily be for fifth graders. Ask how they will address the needs and interests of various age groups. Will the presentations be active, or will the kids be sitting and watching visuals the whole time? How will the curriculum areas you highlighted be addressed?

“What kinds of follow-up would you suggest?” What suggestions does the author have for “after visit” activities? This could be book-related activities, letter/e-mail writing, classroom blogs, newsletters home, or general writing activities.

 

Look for someone who is flexible, enthusiastic, knowledgeable about what you’re doing (teaching!), and who likes kids. Newsflash: Not all people who write for kids like being around them. You’ll can find this out by talking to prospective authors.

And one more thing: Don’t forget a contract. It doesn’t have to be drawn up by a lawyer, and it doesn’t have to be anything fancy. Just a written agreement that states what  the school will do and what the author will do. Have the author and a representative of the school sign it and make a copy for each. Having an agreement can save a lot of confusion and hassle.

 

Coming next: Tips for a successful author visit