Archive for Educators

A Plea To Librarians

 

It’s a long, heavy haul for indie authors. Having 22 books published by traditional publishing houses was no gravy train when it came to marketing, but selling indie books is more difficult times 1000. Really.

Yesterday I stopped by the local library and dropped off a copy of my latest book, Moving Targets, a middle grade novel that explores bullying. The “purchaser” for children’s was not in, so I left a note that asked her to please contact me if she wasn’t going to add the book to their collection.

The call came today. It seems that the policy for acquiring books requires that the book be reviewed in one of the major review periodicals. It didn’t matter that the library has all of my other books, or even that I am a local author. It was just, “No, thank you.” Polite, but no just the same.

As a writer, I deal with rejection all the time. Much of what I write I don’t like at all. I have to come to like it, by a continual process of edit/revise. And then, when I finally get to liking it I send it out to publishers and most of the time they don’t like it. It’s all part of the program. You get used to it, but not really.

This rejection was particularly difficult, given the connection and history I have with this library. I did my best to reframe and refocus my attention as the day went on. I rode my bike, I washed the car, I listened to the news. And then the other call came. It seems that there is some flexibility in “the policy” and that they would like to add my book to their collection.

With all the burdens in the world, this may be silly, but a burden lifted from me during that call. I was thankful for the revised decision as well as the choice I had made earlier not to be confrontational, as anger for me often covers the sadness.

A long time ago I made the decision to write for the long haul. I knew it wouldn’t be easy, but it’s harder than I ever imagined. Librarians, here’s a simple request from a simple author: Please don’t rely only on the review journals to select books. Use your own judgment. You love books; that’s why you’re where you are. Be open to non-traditional publishers. Consider the works of local authors. Sure, it’s a little more work but not that much. Especially if you’re in it for the long haul.

Thank you very much.

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available under the Books tab on this website

 

 

 

Argument / Persuasive Notes and Bibliography

Argument Writing 

Common Core focus – “The ability to write logical arguments based on substantive claims, sound reasoning, and relevant evidence…with opinion writing—a basic form of argument—extending down into the earliest grades.” (Key Points in ELA, corestandards.org)

 

Argument is not the same as persuasive writing.

 

Key differences:

GOALS

Persuasive – convince the reader to agree with or do something the writer wants.

Argument – convince the reader to accept a viewpoint as valid and worthy of consideration.

STARTING POINTS

Persuasive – Select a topic and then choose a side.

Argument – Research a topic and then choose a side.

TECHNIQUES

Persuasive – Uses more emotion and opinion

Usually focused on one point of view (one side)

Argument –  Uses more reasoning and evidence

Includes more than one point of view (multiple sides)

 

“…persuasive writing will not suffice. For college and career one needs to know how to make an effective case to make a good argument.”

George Hillocks, English Journal, July, 2010

 

Argument vs. Persuasive

A selected Bibliography

 

Argument (make-a-case writing)

Bouchard, David.  If You’re Not from the Prairie…  New York: Simon & Schuster, 1995. A celebration of place, using descriptive details. Claim: If you’re not from the prairie you don’t know the wind…the sky…the snow, etc.*

Carlson, Nancy.  How to Lose All Your Friends.  New York: Viking, 1994.  Main character makes a claim – here’s how to lose all your friends – and lists the ways.

Jenkins, Martin.  Chameleons Are Cool.  Cambridge, MA: Candlewick, 1997. Author makes a credible case for chameleons.

McCaughrean, Geraldine.  My Grandmother’s Clock.   New York: Clarion, 2002.  Grandma doesn’t need a clock, and makes a good case for it.

Morley, Jacqueline.  You Wouldn’t Want to Be an American Pioneer.  New York: Franklin Watts, 2002. Part of a series that makes a case for not living in various times of history.

Robinson, Sharon.  Testing the Ice.  New York: Scholastic, 2009.  Makes a case for Jackie Robinson as “the bravest man alive” but not for the reasons you may think.

Sakai, Komako.  Mad at Mommy.  New York: Scholastic, 2000.  A little rabbit makes a claim – “Mommy, I’m so mad at you!” – and gives reasons.

Sharmat, Majorie Weinman.  Gila Monsters Meet You at the Airport.  New York: Simon & Schuster, 1980.  Humorous examples of claims not  being supported by evidence.

Stevenson, James.  Fun, No Fun.  New York: Greenwillow, 1994. A basic book of opinions about what is fun and what is not fun.

Stringer, Lauren.  Winter Is the Warmest Season.  New York: Harcourt, 2006. A claim—winter is the warmest season—supported by reasons.

Turner, Sandy.  Cool Cat, Hot Dog.  New York: Atheneum, 2005. Who’s better, the cat or the dog? Both make a case.

Viorst, Judith.  Alexander and the Terrible, Horrible, No Good, Very Bad Day.  New York: Atheneum, 1972. Alexander makes a credible case for his “bad day claim.

Winter, Jonah and Carrihlo, Andre.  You Never Heard Of Sandy Koufax?!  New York: Schwartz & Wade, 2009. Makes the case for Sandy Koufax as “the greatest lefty who ever pitched in the game of baseball.”

Van Dusen, Chris.  If I Built a Car.  New York: Dutton, 2005. Jack makes a claim he could build a “spectacular car” and provides imaginative evidence. 

Wisniewski, David.  The Secret Knowledge of Grown-Ups.  New York: HarperCollins, 1998. Also, The Second File, 2001. Creative, humorous, and convincing claims for typical everyday rules.

 

There are also series of books for upper elementary and middle school students that focus on controversies, issues, and mysteries:

BOTH SIDES (historic events).  Minneapolis, MN: Dillon Press, 1994-1996.

BOTH SIDES OF THE STORY (social and political issues).  New York: Rosen, 2012.

CONTROVERSY! (social and political issues).  New York: Cavendish, 2010.

CRIME AND PUZZLEMENT (mysteries).  Boston: David R. Godine, 1982-2003.

OPPOSING VIEWPOINTS (historical, social, and political issues).  Farmington Hills, MI: Greenhaven, 1998-Present.

TWO-MINUTE MYSTERIES (mysteries).  New York: Scholastic, 1959-1969.

VIEWPOINTS (social issues), New York: Watts, 1996-2004.

 

Persuasive (make-them-agree/do writing)

Aardema, Verna.  Who’s in Rabbit’s House?  New York: Dial, 1977. The Long One persuades animals to stay away form Rabbit’s house until he is tricked.

Child, Lauren.  I Will Never Not Ever Eat a Tomato.  Cambridge, MA: Candlewick Press, 2003. Charlie uses his imagination to persuade his little sister to eat hated foods.

Cronin, Doreen.  Click, Clack, Moo.  New York, Atheneum, 2000. Farmer Brown’s cows take to the typewriter and make demands to convince him to improve living conditions on the farm.

Daywalt, Drew.  The Day the Crayons Quit.  New York: Philomel, 2013. Duncan’s crayons are mad and write letters to tell him what they want.

Geisel, Theodore.  Green Eggs and Ham.  New York: Random House, 1960. A classic tale of persuasion.

Hoose, Philip.  Hey, Little Ant.  Berkeley, CA: Tricycle Press, 1998. An ant tries to convince a boy not to squish him, with a refreshing open-ended conclusion.

James, Simon.  Dear Mr. Blueberry.  New York: Simon & Schuster, 1991. A series of short letter between Emily and her teacher, Mr. Blueberry, in which he tries to convince her that she really doesn’t have a whale in her backyard pool.

Layne, Steven.  My Brother Dan’s Delicious.  Gretna, LA: Pelican, 2003. Joe tries to convince an imaginary monster to eat his brother, not him.

LaRochelle, David.  The Best Pet of All.  New York: Dutton, 2004. David wants a dog, and he gets one in a round-about way.

Lester, Helen.  Tacky in Trouble.  Boston: Houghton Mifflin, 1998. Tacky the penguin tries to convince an elephant that Tacky really is a penguin.

Orloff, Karen.  I Wanna Iguana.  New York: G.P. Putnam’s Sons, 2004. Alex uses persuasion to convince his mother to let him have an iguana.

Shannon, David.  No, David!  New York: Blue Sky Press, 1998. Good example of ineffective persuasion.

Teague, Mark.  Dear Mrs. LaRue: Letters From Obedience School.  New York: Scholastic, 2002. Ike, the dog, writes humorous and endearing letters from obedience school to convince his owner to let him come home.

Viorst, Judith.  Earrings!  New York: Atheneum, 1990. A young girl uses her best techniques to try to persuade her parents to let her get her ears pierced.

Willems, Mo.  Don’t Let the Pigeon Stay Up Late.  New York: Hyperion, 2006. A pigeon’s attempts to stay up late using a variety of persuasive techniques.

Other Resources

Achieve the Core – Common Core tools and resources. www.achievethecore.org

CommonCoreState Standards – The nitty-gritty on Common Core Standards. www.corestandards.org

Debate – Participate in debates on a variety of issues. www.debate.org

Hillocks, George.  Teaching Argument Writing 6-12.   Portsmouth, NH: Heinemann, 2011.

Historical Scene Investigation – Students act as “history detectives” to solve cases while using primary sources as evidence. http://web.wm.edu/hsi/index.html

LearnZillion – Teacher-created lessons that address Common Core standards.  www.learnzillion.com

readwritethink – A variety of opinion/persuasion/argument lesson plans. http://www.readwritethink.org

Susan Ohanian – An opposing viewpoint of Common Core Standards.  http://www.susanohanian.org

Writing Fix – And here’s more writing lessons. www.writingfix.com

Yong Zhao – Another Common Core voice. http://zhaolearning.com/

 

 

 

 


Common Core vs. Smarter Balanced

In the Argument Writing strand of the Common Core State Standards (CCSS), “evidence” is not mentioned until grade six. However, students will be assessed using the Smarter Balanced Opinion Writing Rubric (Grades 3-5), which includes “Elaboration of Evidence” as a component.

What appears to be a disconnect between the Common Core Standards and the Smarter Balanced assessment rubric, may not really be one. According to Oregon Department of Education’s ELA assessment specialist Ken Hermens:

“The grade 3-5 Opinion Writing Rubric was designed to measure student performance on a performance task that includes writing and research components. Students will be provided with resource materials in order to develop their “opinion” essay and part of the evaluation will be how effectively they tapped into the resources to support their opinion. While the Common Core Standards in the area of writing (3.W.1, 4.W.1, etc.) address skills related to writing opinion pieces but do not specify the use of resources, if you look at the “Research to Build and Present Knowledge” section under the Writing Standards (3.W.7-8, 4.W.7-9, etc.), you see that they do actually talk about skills such as “Conduct short research projects that build knowledge through investigation of different aspects of a topic” and “gather information from print and digital sources.”  Even at these lower grades, then, there is an early emphasis on the investigation and use of resources in the CCSS.

My best guess to answer your question is that the element of evidence is introduced early because the Research claim (Claim #4 in the ELA tests) is being measured as well as the Writing claim (Claim #2).  Additionally, setting this expectation at the early grades should help students be more successful at later grades where the use of source material becomes more sophisticated and critical.”

 

So, there you have it. It’s my hope that the “evidence” connection will be better communicated to teachers than is currently contained in the documents.

Thanks EERC!

 

Thank you to the hardworking and dedicated members of the Emerald Empire Reading Council for inviting me once more to share with their enthusiastic members. Exploring Argument Writing as one of the newest expectations for teachers at all levels was an interesting and insightful experience. I hope all (attendees and others) will check out the handouts under the Classes tab on this website. I will leave them up for a few weeks.

I invite everyone to contribute additional titles that exemplify either Argument or Persuasive writing so we can add to the bibliography and share with fellow educators. This is what professional learning communities are about.

 

Reviewing the Argument writing continuum

Reviewing the Argument writing continuum

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Ideas/Content Lesson

Here’s a mentor text lesson for you. Please model it first by bringing in and talking about one of your special objects.

Trait: Ideas/Content

Focus: Details

 

Book/Author: Wilifrid Gordon McDonald Partridge by Mem Fox

Publisher:  Kane Miller

ISBN:  0-916291-26-X

Summary:  Despite a difference in ages of decades, Wilifrid Gordon and Miss Nancy become great friends.  Together, they explore memories and the great value that everyday objects have in keeping us connected to our thoughts, hopes, and dreams.

What You Need:  Simple objects from students’ homes

What You Do:  Ask students to bring in a simple object that is special to them.  In small groups or with partners have students share the story behind the objects.  Why did the students choose these objects?  What are the details that makes them special?  Read the book aloud, and then ask students to write about meaning of their objects. Encourage them to include the details that make the objects special.

 

Purpose

 

I visited with some seventh graders last week and talked about “the writing life.” Today I received a packet of thank-you notes in the mail. Here’s one of them:

Dear Robert Young,

I love writing and I have never met a author and I really wanted to. I really enjoyed when you gave the pros and cons of being an author. I will strive to be the best one I can be.

Sincerely,

Savannah

 

Feedback like this is one of the reasons I visit schools. Thanks, Savannah!

Argument vs. Persuasive: Audience and Attitude

 

The last differences between argument and persuasive writing come in the areas of audience and attitude. Audience is not as strong a focus in argument writing as in persuasive, where the writer is trying to change minds or actions. Writing an argument involves getting the reader to consider your points.

Persuasive writing tends to be more aggressive, with the writer showing more passion and emotion. Argument writing is more reasoned and based on evidence.

Now you have it in full: the differences between argument and persuasion.

It’s time to teach it!

 

Argument vs. Persuasive: Starting Points and Viewpoints

 

Subtle differences in writing argument and persuasive: starting points and viewpoints.

Before writing an argument, you research a topic and then choose a side. With persuasive, you select a topic (e.g. abortion, taxes) and your side. The key difference: RESEARCH.

The viewpoint in each type of writing are different, too. It’s broader in argument writing. You include multiple perspectives and then you counter them. With persuasive, the viewpoint is more narrow. Mainly, you present one side of the issue. You may include an opposing view, but you dismiss is quickly.

Are TV ads examples of arguments or persuasion?

Are they effective?

Hmmm…Duh!

An Author’s Life: And the Not-So-Good

Last week I extolled the advantages of the writing life: choice, variety, being your own boss, choosing your own hours. Notice that I did not mention fame or fortune. That brings us to the other side of the writing life. The not-so-good side.

Let’s get the fame and fortune part out of the way first. The chances you will become rich and famous by writing is…well..a longshot, to put it mildly. “But what about Stephen King?” you say. “What about J.K. Rowling?”

Those are the exceptions. Thousands upon thousands of people compete to get their works published. A small percentage are successful. I feel grateful to have had more than twenty of my manuscripts made into books. This, however, has not led to fame nor fortune.

Of all those authors who are talented and fortunate enough to have their work published, only a small percentage of them are able to make a living from it. That’s why most authors have other jobs, to pay the rent and buy food. For me, it’s been teaching. Not only do I feel like it’s a worthwhile career, it keeps me in contact with the audience (kids) for whom I’m writing, and it offers lots of free time (summer break, holidays) to write.

Writing takes lots of time. And patience. Imagine having an idea for a book, then working on it every chance you get for a year, or even more. When you’re done, you send the finished work to agents or publishers. They hang onto it for six months, maybe longer, then send you a generic postcard or letter saying your manuscript is “not right for our list.”

That’s what usually happens to most writers. And not just once. Over and over and over. Twenty-five times, fifty times, until you either find your manuscript a home or you give up.

So, why bother if it’s so frustrating and your chances are so slim in becoming successful? That’s a question that every writer has to answer. Every writer also must decide what “success” is? For me, it’s not about the money or the notoriety. I’ts about contributing my ideas, sharing my words, and encouraging thought, curiosity, and exploration. That won’t pay the rent, but then it doesn’t have to.