Robert Young

Three Questions is an occasional feature on my blog when I want to spotlight interesting people I come across on my writing journeys.

In addition to having worked as an animator and creative director for Sony, Pearson, and Disney, Mark Fearing is a multi-talented author and illustrator of books for kids. He’s got more than twenty books to his credit, including Castle Gesundheit and the Middle School Bites series. His latest project, Welcome to Feral, will be released this fall. It’s a two-book graphic novel about the strange occurrences in the small town of Feral. Freya, a curious middle grader, keeps track of all the strange goings-on in town. And there are many, including deep secrets that attract strange beasties and ghouls to the town!

When I first attempted to write a graphic novel, a writer-friend put me in contact with Mark, who has extensive experience with that genre. Mark has been absolutely reMarkable in the help he has provided me, from basic formatting suggestions and marketing ideas to reading my manuscript and providing detailed notes that were useful in making revisions. I am so grateful for his assistance. 

Here are Three Questions for Mark:

1. You live in Portland. What impact does your location have on your work?

Compared to Southern California, it’s much easier to stay in to work because it rains nine months of the year! It’s a beautiful area. We are close to the city, not out on a sprawling country estate so it’s busy but not busy like Los Angeles. There’s plenty of walking paths so I get out several times a day with my dogs and that is important. Sitting at one’s desk, trying to ‘be creative’ will burn you out. I stay in contact with many of my friends in Los Angeles and I still Zoom into a critique group in LA when I can. Having moved here as an older adult and having a child the issues of good schools and an easy city to navigate and live in became more important so I have not totally integrated into any Portland scene. But I’ve met a lot of great people and I can’t imagine leaving the West Coast.

2. What writers and illustrators have had the most influence on your work?

Oh man…do you want me to write a book? I am enamored by countless authors and illustrators. IT starts with my dad who was an editorial cartoonist for 40 years or so. I can’t easily point to one person or style or genre of work even. I love expressionism, artists like Otto Dix, I love the line-driven illustrators like Ronald Searle, Quentin Blake, cartoonists like Walt Kelly, Sergio Aragones, Wally Woods, Jack Davis. Not to mention dozens of other animators, illustrators and comic artists. I love to see the personality of the artist in their work. As for authors, the list is as long and as varied. From Stephen King to Christopher Buehlman, Ursula K. LeGuin, Philip K. Dick and John Horner Jacobs. Favorite books include Frankenstein, Lord of the Rings, The Stand, Valis. Then you get author/illustrators in the children’s lit market and that list is long too. John Agee, William Steig, Valerie Gorbachev, John Burningham. And that’s just a start. I am interested in work that I could never imagine doing and work that is like what I do – but brings something different to it. I will stop here! 

Quentin Blake illustration

3. At the risk of being inundated with requests, why are you willing to help fellow authors and illustrators?

Many authors and illustrators have been generous with me in my life. I owe so many of my opportunities to people taking the time to help me, introduce me to someone and offer advice that I can’t imagine not doing that. And sharing what we know, what we have experienced, is a natural desire. I also try to understand exactly what the person talking to me is asking. What stage of a career they are in. I have known illustrators (especially) who seem to take delight in being cruel and judgmental with young people who come to them for advice. I think it’s important to understand exactly what they are asking and what they want to do. I mentor high school students and understanding what they want to do with their art is key. Some want to be illustrators/cartoonists. To do original work and fine tune their ‘voice’. That is different than a young person who wants to be a storyboard artist at Walt Disney. If they want to work in a studio, you can discuss exactly what they will need in a portfolio, what skills they will have to demonstrate. That is a different discussion. Start with understanding where the person wants to go and then direct their attention to the issues they may face moving in that direction. Ultimately there aren’t that many of us that are deeply interested in the issues around drawing,

Yesterday I had a rare opportunity to share the stage with my music collaborator, G.T. Albright. G.T. has been in the music biz for 40+ years. He’s played in bands, recorded, produced, and written songs. We have been working together for about a year-and-a-half, with me writing lyrics and him adding the music. To date, we have collaborated on 24 songs, with many more to come.

Yesterday, we met with two 5th grade classes at Oakridge Elementary School in Oakridge, Oregon. The kids prepared by studying the lyrics to two of our songs. I spoke about the lyrics and then G.T. played the songs. He spoke about his process for developing the music, and he shared two different versions to one of the songs. It was a thrill to witness the responses of the students: they grooved to the rhythms, gushed with praise, and had lots of questions. Some had even developed their own music to the lyrics are were not shy to share them. Amazing!

Great job teachers, Emily Howard and David Gordon, and kids too. You made our day. We hope we made yours!

Once Daniel was comfortable with his sketches of the two main characters, he worked a lot on getting the setting right. The setting is a very important part of this story. Being from New Mexico, where the story takes place, allowed Daniel to draw on his memories and first-hand knowledge.

While my manuscript had the story broken down into pages and individual panels, with descriptions, captions, and dialog, Daniel made useful suggestions as he worked through the story. Based on his suggestions, I made revisions to make the story clearer and flow better. It’s very helpful for writers to get help from others. You don’t have to take all the suggestions, or even any, but it’s a good practice to get feedback. I welcome it.

Once the manuscript was revised, Daniel began working on six finished pages for publishers and agents to review. Those completed pages went through many versions. Here’s a sampling:

Pretty cool, huh? I love to see how my words become visual, complete with color. Here’s a few more of his finished pages:

We sent the manuscript as well as the completed art to several publishers of graphic novels. We’ve heard back from one, with a contract offer. We also have an interested agent taking a look, with the possibility of representing us as we move forward.

This may seem like it takes such a long time for things to happen (I’ve been on this four years!) because it does. Patience is a friend.

Will post updates.

His name is Ernest Thompson Seton, and he was one of the most influential people in America during the 20th century. He was a naturalist, prolific artist, and best-selling author. He was also an expert wolf-hunter. That’s how I came to know about him.

In researching my last book, Friends of the Wolf, I came across many interesting stories. The most interesting was about this guy and his dramatic encounter with a legendary wolf that became known as Lobo. This encounter, during which Seton prevailed, led to a transformation in the man. He saw Lobo as a symbol of the vanishing wilderness and, after that, Seton spent the rest of his life working to preserve and protect animals and the land.

Ernest Thompson Seton was one of our nation’s first conservationists, and he is credited as one of the founders of the Boy Scouts.

So, why haven’t we heard about this man who contributed so much to our nation? Good question. I don’t have an answer. All I can say is that the story of Seton and Lobo compelled me help make the story known. And that’s what I’m in the process of doing, writing this story for all to read.

Well, not really “all.” Because of the violent nature of wolf-hunting, this book is not for the youngest readers. I’m thinking middle grade and up. And it will be in a format I’ve never tried before: a graphic novel. The book is entitled: Lobo: The Wolf That Changed the Man Who Changed America.

In the next posting, I’ll tell you about the four year journey to getting a publishing offer for the book, which came earlier this week. I’ll also share sketches and artwork that will be a part of the finished book.

Until then…

With the decline in COVID cases continuing and the rise of vaccinations, it appears that our lives are on the way back to normalcy. Do you even remember what that is? I’m not sure I do, but we’ll be finding out soon enough.

Gone will be the isolation we have experienced, the fear of sickness, the uncertainty of everyday life. No more keeping our distance, muffled voices, and paltry grocery store shelves. Yes, those will be gone, but we’ll also have to say goodbye to all those COVID excuses too.

COVID excuses? That’s right, during the past year we’ve developed a whole new set of excuses for why we can’t/won’t do something. I noticed this first when calling businesses to get information or help. The answering message was that, due to COVID, the wait to talk with a person would be much longer. Hmmm…let’s see, the people answering the phones were still working, but they were now working from home. Same number of people, so why should it take longer?

I noticed this in other areas as well: meetings cancelled (despite Zoom options), appointment postponement, and social engagements (despite safety protocols).  Anything you didn’t want to do, you had an excuse. Another boring meeting to attend? Sorry, can’t be there. COVID. Dreaded dental appointment? No can do. COVID.

The creative use of COVID excuses has been the source of entertainment (see photo above- sign reads “No plates or tags COVID ) over the past year, but it’s time to put them away. Save them for the next pandemic.